Editor's note: The Southern Foodways Alliance delves deep in the history, tradition, heroes and plain old deliciousness of Southern food. Sheri Castle is the author of "The New Southern Garden Cookbook." She wrote this essay for the Appalachian-themed issue #51 of the SFA's Gravy quarterly.
This is a story about pinto beans. But first it’s a story about my mountain people and one of our curious traditions.
The Appalachian Mountain South is to the rest of the South what bourbon is to whiskey: It is distinguishable from the rest, yet part of the whole. That includes our food, which is rooted in our geography. Like the rest of the rural South, mountain people traditionally ate off the land. Unlike the rest of the rural South, my people live up and back in one of the oldest mountain ranges on the planet, where the landscape and climate are quite different. On a map, we’re in the South. In practice, we claim our own place.
In Jon Favreau's new film, "Chef," the writer-director-star plays Carl Casper, a formerly adventurous and celebrated chef who's since stagnated in both his career and his relationship with his ex-wife and young son. An unexpected thrashing from Los Angeles' most prominent restaurant critic (and a major social media meltdown) sends Casper running for the open road - in a food truck - in search of his next course of action.
Favreau didn't just tie on an apron and step into the role as a seasoned chef. He put in hard hours on the line in chef Roy Choi's kitchens and food trucks, and brought him on as a consultant to achieve authenticity in everything from knife technique to kitchen culture.
Eatocracy spoke with Favreau about his lifelong obsession with food, connecting with family and the lengths he'll go to for a killer brisket. An edited transcript is below.
Eatocracy: Your character in the film spends a lot of time cooking food for people to show them how he feels about them. How conscious was that?
Jon Favreau: I had been thinking about the film “Eat Drink Man Woman” and Roy Choi pointed me to “Mostly Martha.” It's a German film about a female chef who is a complete emotional basket case and could not communicate, but had such passion in her food. She would feed everyone around her. It's almost like someone who couldn't speak scribbling on a piece of paper like in "The Piano."
There's something romantic about that and I think it’s reflective of what I've seen in the chefs I've known. The most accurate, sincere communicating they do is through their food.
Editor's note: The Southern Foodways Alliance delves deep in the history, tradition, heroes and plain old deliciousness of Southern food. Silas House is the author of five novels, three plays, and one book of nonfiction. He is the NEH Chair of Appalachian Studies at Berea College. He wrote this essay for the Appalachian-themed issue #51 of the SFA's Gravy quarterly.
Dot’s Grocery, owned by my aunt, was the community center of tiny Fariston, Kentucky: a therapist’s office, sometimes a church, and—always—a storytelling school. Everyone gathered there to gossip and to seek the sage kitchen wisdom of Dot. She kept a Virginia Slim permanently perched in her fuchsia-lipsticked mouth and latched her steely blue-eyed gaze on her customers while they spilled their guts and sought her advice. A few times I witnessed prayer services there. The epicenter of a largely Holiness community was hard-pressed to escape that, after all. There were always the big tales, swirling around like the twisting smoke of the regulars’ cigarettes (in my memory, all of them smoked, everyone).
Looking back, the stories are what matter the most. But when I was a child in the 1980s my favorite things were: the cakes-and-candy rack, the old-timey Coke cooler with the silver sliding doors on top, and the huge jar of pickled baloney that sat on the counter next to the cash register. Beside it were a loose roll of paper towels, a box of wax paper, a sleeve or two of Premium saltines, and a large Old Hickory–brand knife.
The Cherokee Indians are preserving the roots of their heritage with a program that allows officially recognized members of the tribe to access seeds that are unique to the Cherokee Nation.
Principal Chief of the Cherokee Nation, Bill John Baker explained the seeds' lineage to CNN. "This strain of seeds came with us on the Trail of Tears," he said, referring to the forced migration of Cherokee nation from their land east of the Mississippi to an area that is now Oklahoma. The 15,000-person march took place in 1838 and 1839 under Andrew Jackson's Indian removal policy, and resulted in the deaths of an estimated 4000 Cherokees, due to starvation and sickness.
"They have been preserved and grown every year before that, and they are the basic foods God gave us that we grew long before the contact with Europeans," Baker continued.
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