Editor's note: The Southern Foodways Alliance delves deep in the history, tradition, heroes and plain old deliciousness of Southern food. Silas House is the author of five novels, three plays, and one book of nonfiction. He is the NEH Chair of Appalachian Studies at Berea College. He wrote this essay for the Appalachian-themed issue #51 of the SFA's Gravy quarterly.
Dot’s Grocery, owned by my aunt, was the community center of tiny Fariston, Kentucky: a therapist’s office, sometimes a church, and—always—a storytelling school. Everyone gathered there to gossip and to seek the sage kitchen wisdom of Dot. She kept a Virginia Slim permanently perched in her fuchsia-lipsticked mouth and latched her steely blue-eyed gaze on her customers while they spilled their guts and sought her advice. A few times I witnessed prayer services there. The epicenter of a largely Holiness community was hard-pressed to escape that, after all. There were always the big tales, swirling around like the twisting smoke of the regulars’ cigarettes (in my memory, all of them smoked, everyone).
Looking back, the stories are what matter the most. But when I was a child in the 1980s my favorite things were: the cakes-and-candy rack, the old-timey Coke cooler with the silver sliding doors on top, and the huge jar of pickled baloney that sat on the counter next to the cash register. Beside it were a loose roll of paper towels, a box of wax paper, a sleeve or two of Premium saltines, and a large Old Hickory–brand knife.
In a nondescript hotel ballroom last month at the South by Southwest Interactive festival, Andras Forgacs offered a rare glimpse at the sci-fi future of food.
Before an audience of tech-industry types, Forgacs produced a plate of small pink wafers - "steak chips," he called them - and invited people up for a taste. But these were no ordinary snacks: Instead of being harvested from a steer, they had been grown in a laboratory from tiny samples of animal tissue.
One taster's verdict on this Frankenmeat? Not bad, actually.
Editor's note: The Southern Foodways Alliance delves deep in the history, tradition, heroes and plain old deliciousness of Southern food. Writer Sarah Baird grew up in Kentucky and lives in New Orleans. Her first book, "Kentucky Sweets: Bourbon, Spoonbread, and Mile High Pie," was published earlier this year.
Drenched in gooey cheese, anchored by salty meat, and with enough thick bread to sop it all up, the Hot Brown is quite possibly the ultimate drunk food.
Over the years, the sandwich has not only reached far across the Commonwealth as a go-to remedy for a night of hard drinking, but has become the sandwich ambassador of Louisville’s dining scene. Crafted almost 100 years ago in one of the city’s finest grand hotels, the Brown (which is regal enough to give any Wes Anderson creation a run for its money), its decadence has become a thing of legend.
Ray Isle (@islewine on Twitter) is Food & Wine's executive wine editor. We trust his every cork pop and decant – and the man can sniff out a bargain to boot. Take it away, Ray.
There was a time, and it wasn’t that long ago, when you couldn’t give away a bottle of dry French rosé wine in the US. The zillions of bottles of White Zinfandel on store shelves had somehow worked a kind of evil spell on wine buyers’ minds, convincing everyone that if a wine was pink, then it must therefore taste like soda pop and be sweet.
That’s changed, and nothing attests to it more than the fact that shipments of dry rosés to the US from Provence—the homeland of great dry rosé—shot up more than 40 percent last year. But it’s no surprise, when you think about it. Provençal rosé, which is light, crisp and not sweet in the slightest, is one of the best springtime (and summertime) wines around.